Six etude studies originally written by Steve Lacy in the 1980s, with whom NY baritone saxophonist Josh Sinton collaborated in the early 2000s, and who gave his blessings to Sinton's approach and adaption of each, developed subsequently for 20 years and recorded in 2021 for this album, demonstrating Sinton's personal approach to both Lacy's material and with the deep reed saxophone.

The third solo saxophone record from Brooklyn improviser Josh Sinton, and his first recorded solely on the baritone saxophone, an instrument for which Sinton explains he has dedicated half his life, heard in this remarkably diverse set on the lower horn that he approaches lyrically, technically, emotionally and with startling singularity.

New York reedist Josh Sinton takes the contrabass clarinet on a wild ride, performing live with no overdubs, using clip-on mics, a mixing board, a sans amp box, a volume pedal, and a bass amp, as he explores sonic possibilities and unexpected directions for this big reed instrument in his quest to redefine the old Slavic word for beauty or splendor: krasa.